Concert presentation: In The Shade, February 25

“In The Shade” is a new musical with music by Tom Laverack and book & lyrics by Daniel Egger. It explores the life of poet and author Robert Lowell through the lives of his three wives: Jean Stafford, Caroline Blackwood, and Elizabeth Hardwick (all writers as well). I am beyond delighted to be performing this piece with two of my favorite vocal collaborators: Courtney Bassett and Caroline Strange.

February 25 (Tuesday) at 7pm, The Green Room 42. Get tickets!

Necromancers of the Public Domain presents: The Periodical Cicada

Necromancers of the Public Domain is the brain baby of multi-hyphenate creator @ayun_halliday. She assigns a bunch of writer-performers an obscure book out of the public domain, we read (some of) it, then we write stuff and share it. It fills my little homeschooled heart. The book for this show was about cicadas in honor of Brood X.

Time stamp:

17:00 “The Lonely Cicada” written and performed by Pearl Rhein

New York Theater Barn presents William Finn's Emerging Writers

When I was a teenager, I learned to sight-read on the piano by having my friends over to sing through Broadway Vocal Selections books. Some of our favorites were “A New Brain” and “Falsettos”, and William Finn has remained one of my absolute favorite Musical Theater composers. So I was wildly excited to take a 10-week lyric-writing workshop with the great Mr. Finn during the pandemic (thanks to the efforts of Maestra to recruit more femmes for the class). I wrote 9 songs (both music and lyrics) in class, and three of them were featured in a virtual concert hosted by New York Theater Barn!

Time stamps:

6:12 - “Get In” (a pop song about riding in cars and coming out)

28:33 - “Antonie van Leeuwenhoek” (a rock song about the father of modern microscopy)

49:13 - “February Friend” (a ballad about the most depressing month)

"Little Women" by Kate Hamill, co-pro between Dallas Theater Center & The Old Globe

Kate Hamill’s new adaptation of “Little Women” is a funny, dynamic examination of the feminism and social activism that has been present in the novel since its publication 150 years ago. I am so grateful to be playing JO MARCH, a formative fictional creation for me since I was about 7, as the queer pioneer I have always felt her to be. And in a co-production between two of the nation’s leading regional theaters!

Dallas Theater Center Feb 7 - 29

The Old Globe iMarch 14 - April 19.

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Brand-new song premiered in RING OF KEYS' "Queering the Canon" concert at Joe's Pub!

RING OF KEYS is a national network of queer women and TGNC professional artists working in musical theatre. Their second annual birthday fundraiser concert, “Queering the Canon”, was on Feb 16 at Joe’s Pub!

Each queer songwriter was assigned a “classic” musical theater song and has written their musical response. My song was “The Sadder but Wiser Girl” from The Music Man, and my sex-positive pro-education anthem “Head of the Class” premiered at the concert!

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"Duet for Three" reading with Amas Musical Theatre, Nov 21 & 22

“Duet for Three” is a world-premiere musical about Kay Swift, the first woman to fully score a Broadway musical. With a book by David Caudle using Kay’s original music, “Duet for Three” tells the story of her complicated relationships with her husband and lyricist, Paul James; and her lover George Gershwin. Kay Swift was a Juilliard-trained pianist who went on to be a leading expert on Gershwin’s music after his sudden death. I was super tickled to play Kay (and a metric ton of piano music) in this brand-new piece!

Part of Amas Musical Theatre’s “Dare to be Different” Festival.

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Recently: Pearl played bass for Erin Markey at Bard Spiegeltent!


DOUBLE TROUBLES
ERIN MARKEY: WET FOOD
AND PETER SMITH: ALONE, AT LAST


“Erin Markey defies expectations you don’t even know you have.”—New York Post

Erin Markey and Peter Smith (from SummerScape 2018’sPeter Pan) invite you into their fantastically weird worlds with a double bill evening of story-driven stand-up and song. Markey’s Wet Food is an intimate musical conversation tackling all the issues. Alone, at last draws on Smith’s flirty, delicious deadpan.

August 10 at 8:30 pm

LOCATION: Fisher Center, Spiegeltent

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